The Stratford Festival is transforming, for this summer, into an outdoor festival offering a season of six plays and five cabarets reflecting on the theme of Metamorphosis, with performances held under beautiful canopies that will hark back to the Festival’s founding under a tent.
Performance times will be different, as will run times. Each production will be approximately 90 minutes in length, with no intermission. Shows will be held at 11 a.m., 3 p.m. and 7 p.m. The two canopied venues – one on the upper terrace of the Festival Theatre, overlooking the gardens, and one at the Tom Patterson Theatre near Morenz Drive – will accommodate 100 people each in physically distanced groups of one to four people, travelling and attending together. Capacity can change moderately in response to public health guidelines.
Free and ticketed events
How to get tickets?
WHEN & WHERE
Tom Patterson Tours will be running through October 17, 2021
R + J – August 12 to September 26 | Opening Sunday, August 15
They say that love is blind – and with blindness comes the freedom to open the mind’s eye to a world of limitless possibility. Likewise, the challenge of staging the world’s most famous love story in a time of physical distancing brings with it the opportunity to explore modes of theatrical presentation that are both unexpectedly novel and as old as the art of storytelling itself.
Intended for blind, low-vision and sighted audiences alike, this radically reimagined version of Shakespeare’s beloved romantic tragedy, Romeo and Juliet, invites you into an up-to-the-minute modern world of sound and music, a world that challenges the identities we construct when we use only our eyes, a world in which the entrenched hostilities of an older generation are challenged by the passions of young people who only want to love.
Why We Tell the Story – July 10 to July 21 | Opening Tuesday, July 13
Throughout the ages the African-American community has told stories of life, love, pain and hope through the glorious expressions of musical theatre and poetry. This update of the sold-out 2019 Meighen Forum concert, takes you on a journey with the voices of legendary Black poets and the music of the African-American musical theatre canon, including hits from Aida, Ain’t Misbehavin’, Caroline, or Change, The Color Purple, Hamilton, The Lion King, Once On This Island, Showboat and many more. As Maya Angelou said: “Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave.”
You Can’t Stop the Beat – July 15 to July 31 | Opening Sunday, July 18
What is it about musical theatre that captures the hearts of millions of fans? Through wars, disasters, heartbreaks and triumphs, musicals have been there to give us a way to understand the human experience and flourish. Has there ever been a better way to represent our inner lives than in glorious Technicolor and song? This tune-filled ride celebrates why musicals have always been the ultimate tonic for the soul in good or troubled times.
Play On! – July 29 to August 15 | Opening Sunday, July 31
Shakespeare’s influence on Western culture extends even into your favourite pop hits. Whether it be direct lines from his plays appearing in Top 40 lyrics or whole songs inspired by his plots, whether the borrowers be Taylor Swift, Madonna, Elton John, The Beatles, Prince or Radiohead, Shakespeare is still there, lurking in the mainstream, as cool and as relevant as ever. This lively celebration of terrific tunes affords a great opportunity to introduce a younger audience to Shakespeare’s continuing role in popular culture.
Freedom – August 19 to September 5 | Opening Saturday, August 21
From the moment Black people landed on North American soil, their music took root and became the basis for much of the popular music we hear today. There is an endless list of exceptional Black musicians who have been lost to history while their white counterparts gained fame. From church hymnals to the blues, from jazz to rock ’n’ roll, R&B and rap, we owe much of our musical history to Black culture, and it’s time to give credit where it is due.
Finally There’s Sun – September 9 to September 26 | Opening Sunday, September 12
Reflecting on this “great pause” as we move forward and get back to living freely, Finally There’s Sun takes you on a musical journey through a year of enormous change and growth. It explores the isolation, the loneliness, the upheaval and the unexpected silver linings that came out of a time like no other.
Production support is generously provided by Jody & Deborah Hamade and by Dr. Robert & Roberta Sokol.
TOM PATTERSON THEATRE CANOPY
A Midsummer Night’s Dream – July 16 to August 1 | Opening Thursday, July 22
Spellbound lovers, quarrelling fairies, tradesmen with a fervour for amateur theatricals: they’re all mixed up together in the surreal world of Shakespeare’s great comedy of dreaming and desire. This deep dive into the sometimes unsettlingly dark and dangerous realms of the subconscious famously culminates in a play within the play: a hilariously inept performance by Nick Bottom and his fellow would-be actors. But even as we laugh at the ham-fisted efforts of these “rude mechanicals,” we are won over by their heartfelt belief in the power of the imagination.
Taking its cue from that insight, this production deploys the most fundamental techniques of theatrical art in a magically inventive staging of a play that is itself a celebration of the imagination at its most extreme.
The Rez Sisters – July 23 to August 21 | Opening Wednesday, July 28
They have their dreams and their difficulties, these seven women. One yearns for a singing career; another for a white porcelain toilet. One grieves for her lover, killed in a motorcycle accident; another harbours the memory of a horrific sexual assault. The cancer that afflicts one of them is not the only malignancy they confront.
But one dream they hold in common is that of winning “the biggest bingo in the world” – and one day, accompanied by the transformative spirit guide Nanabush, they leave their Manitoulin Island reserve and set out for Toronto to do just that.
Ribald, harrowing and mystical, this seminal work of Indigenous drama celebrates the spirit of resilience and the powerful beauty these women bring to the tough world in which they live.
Schulich Children’s Plays
I Am William – August 10 to September 12 | Opening Saturday, August 14
Margaret Shakespeare has a dazzling talent for writing, which she yearns to put to serious use. But in an age lethally suspicious of female intellect and literacy, how can she find a way to fulfil her authorial ambitions yet still survive? Fortunately, she has a brother, William, who isn’t much of a writer but who wants to make it as an actor – and friends in high places have just the role for him.
Tapping into our fascination with the enigma of William Shakespeare’s life and how he came to write those plays – and the seemingly endless speculation in some quarters about whether he really did – this light-hearted yet genuinely passionate interweaving of comedy, song and poetic fancy spins a playful and witty yarn that will delight younger audiences and adults alike.
Serving Elizabeth -August 28 to September 26 | Opening Thursday, September 2
In Kenya in 1952, Mercy, a restaurant proprietor, is hired to cater the impending visit of Princess Elizabeth, soon to be Queen. In 2015, another story unfolds in London, England, where a young Kenyan-born Canadian, Tia, is working as an intern on a TV drama series about the British royal family, while also pursuing a writing project of her own. These parallel narratives seem only coincidentally connected – until a surprising twist reveals a deeper relationship between the two. Audiences are certain to enjoy this ingenious contemporary drama that keeps us guessing as it explores issues of colonialism, nationalism and the question of who gets to have a voice.
Edward Albee’s Three Tall Women – August 10 to October 9 | Opening Thursday, August 19
By turns acerbic, anguished and sarcastically funny, an old woman known to us only as “A” lays bare her inner life in sometimes shocking detail to two others: a middle-aged caregiver identified only as “B” and a young legal professional, “C.”
Originally programmed for the 2020 season, Edward Albee’s Pulitzer Prize-winning drama, which he called an “exorcism” of his own troubled relationship with his adoptive mother, is a profound meditation on aging, death and the very nature of the self: who are we really, and how do we become who we are?
In keeping with pandemic precautions, the play’s two parts – the second of which brings a startlingly different take on its characters – will be presented as separate performances, scheduled to be seen on the same day. Each ticket includes both parts.
LIVE IN LAZARIDIS HALL
One Step at a Time – August 10 to August 14
Using monologues, original songs, improvisational tap dance and multimedia video, Andrew Prashad shares his and his wife’s journey of caring for a son with spina bifida and hydrocephalus, while raising two daughters – all while maintaining his career as a professional actor, singer and dancer.
#KanderAndEbb – September 14 to September 18
Ryan G. Hinds’s #KanderAndEbb is a tour through the music of Broadway songwriters John Kander and Fred Ebb, set against entertaining and touching real-life stories from the fan who managed to get semi-close to the legendary writers’ fabled world. Featuring a fabulous four-piece band led by music director Mark Selby, the show is a hilarious, personal and sincere tribute that leaves audiences with a new and deeper appreciation of the music and lyrics they thought they knew.
Play By the Book
Dramatic, intimate readings complementing the season’s playbills and performed live.
The Dark Lady
By Jessica B. Hill
Emilia Bassano, the probable Dark Lady of Shakespeare’s sonnets, was a published poet in her own right. She was also trilingual, multiracial, and a talented musician. The Dark Lady brings these two poets intimately together as they wrestle with artistic collaboration, ambition, envy and love: an entanglement that will profoundly shape both their lives and their work. Shakespeare in the Ruins is planning a full production of The Dark Lady for 2022.
Curated by Hannah Rittner
August 18 to August 21
This series features readings of The Courage to Right a Woman’s Wrongs by Ana Caro Mallén de Soto, The Wonder: A Woman Keeps a Secret by Susanna Centlivre, When Ladies Meet by Rachel Crothers and Wedding Band by Alice Childress.
Support for the Uprising Series is generously provided by the Dorothy Strelsin Foundation.
A co-production with b current Performing Arts
Curated by Sadie Berlin
August 25 to August 28
REV-elations brings to light older and rarer plays by Black playwrights for audiences to discover, including The Escape by William Wells Brown, Collected Plays by Zora Neale Hurston, Parallel Hands by Frantz Fanon and How Now Black Man by Lorris Elliot.
The Digital Meighen Forum brings expert commentary and artistic insights directly to your device.
Poems by Playwrights
In these three workshops led by Monice Peter, delve into the poetic journey of Afro- and Caribbean-Canadian and American playwrights and discover how their culture and experiences are layered within the devices of their poetry.
In these workshops led by members of the Stratford Festival Wardrobe, learn practical costume-building techniques in order to begin to create your own pieces at home.
Through discussion and acting exercises, explore the intricacies of some of Shakespeare’s great speeches in these workshops, led by actors, past and present, who have brought the words of Romeo and Juliet and A Midsummer Night’s Dream to life on stage.
Learn original choreography from some of the Stratford Festival’s professional dancers and choreographers.
Learn some creative writing strategies and exercises directly from Marcia Johnson, playwright of Serving Elizabeth. Discuss the particular styles and techniques employed in each of their plays and engage in some active writing exercises yourself.
In these workshops led by Stratford Festival prop-builders, learn practical prop-building techniques in order to begin to create your own pieces at home.
The Stillness Room
Founded by Toronto theatre director and teacher Alan Dilworth, The Stillness Room is a coming together to experience the centring and quietly transformative qualities of stillness, silence and connection. Since May 2020 The Virtual Stillness Room has been available free for all, in partnership with Necessary Angel Theatre Company.
Meet the Festival
July 10, 17, 24, 31; August 7, 14, 21, 28; September 4, 11, 18, 25
Fun and informal digital Q&A sessions with Festival artists and staff.